Panasonic DVX 200 (Check reviews & prices)
The Panasonic DVX 200 is a relatively new documentary filmmaking camera, first available in late 2015. But already it’s making waves in the filmmaking community because it combines a large micro four thirds sensor with all the run and gun ergonomics and manual features of a traditional video camera. That means that the DVX200 can create super shallow depth of field and beautiful cinematic images while still offering razor sharp intelligent autofocus and XLR inputs. In fact, when you combine the excellent color grading options that the DVX 200 gives you with V-LOG, plus the great image stabilization and high bitrate recording in 4K (up to 60P for slow motion), we’re hard pressed to point to another professional video camera on the market today that is better than the DVX 200 for documentary filmmaking. Read more about it in our full Panasonic DVX 200 Review.
Sony FS7 Super 35mm Camera (Check reviews & prices)
The Sony FS7 is perhaps the top documentary filmmaking camera available today. It’s got a Super 35mm sized CMOS sensor for capturing beautiful images with gorgeous shallow depth of field and accepts Sony E-mount lenses (with optional adapters for EF/PL mount and others). It records up to 4K at up to 60P, an impressive feat that allows for silky smooth slow motion in post production, and even goes up to a jaw dropping 180fps in 1920 x 1080P HD mode for an incredible “the world just slowed down” look. The FS7 records on Sony’s XQD media cards at up to 600Mbps (possibly the highest bitrate of any camera under $50,000) and can also record to external HD-SDI or HDMI hard drives as a backup or alternative recording solution. You may also wish to consider the younger brother camera, the less expensive FS5.
Canon C100 (Check reviews & prices)
The Canon C100 is a popular camera among documentary filmmakers today because of its extremely high image quality, ability to use Canon lenses, relative inexpensive. The ergonomics of this camera are also key: while it provides the ability to capture shallow depth of field images of DSLRs for documentary, it also provides a large hand grip making it easier to use for long periods of time. Another major benefit is the built in top handle which integrates XLR inputs for professional audio. Like its big brother the more expensive Canon C300, the C100 provides thumb dials for quickly adjusting audio levels, without having to enter a complicated digital menu, an invaluable feature for documentary filmmakers in one man band “run and gun” situations. The C100/C300 is probably the best DSLR-type professional video camera hybrid that offers all of the pro features documentary filmmakers want.
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Sony PMW-300K1 (Check reviews & prices)
Sony’s professional video cameras have long been a staple of documentary filmmakers’ toolkits around the world. One of the latest cameras in their professional lineup that’s starting to gain ground is the Sony PMW300K1, an XDCAM based professional camcorder whose compact size but manual controls are proving to be an impressive combination. Its ability to record at a relatively high 50Mbps bitrate in a 422 colorspace is also quite impressive for a camera of its size and weight class.
Panasonic GH4K (Check reviews & prices)
Holy cow, this is quite a camera. Panasonic started making really solid and respected DSLRs for video with the GH2, and with this highly anticipated iteration they added 4K video recording (more than twice the resolution of 1080p), better quality image processing, and an optional (but pricey) XLR interface that plugs into the bottom of the camera, allowing you to connect professional microphones. The Panasonic GH4 records on cheap SDHC or SDXC cards and you can also buy additional batteries cheaply. Note however that unlike many other DSLRs, this camera is a Micro Four Thirds camera, meaning it uses M4/3 lenses made by a variety of manufacturers. One key advantage of the Panasonic GH series has over some of Canon’s cameras is it has a headphone jack and adjustable audio input instead of auto-only audio levels. It’s not surprising that this small and light camera is turning a lot of heads in the documentary filmmaking community.
Canon 5DMIII (Check reviews & prices)
The Canon 5DMII was the camera that started the DSLR video revolution back in 2008. The 5D Mark III is a worthy successor, building upon the strengths of the II, and adding a headphone jack for audio monitoring, manual audio levels, and superior video recording quality. The 5DMIII also features a full frame sensor, making it very easy to achieve buttery shallow depth of field images with lenses from Canon’s EOS line. Of course, it still records 1080p video with H.264 or AVC High Profile at a variety of frame rates and bitrates. One thing to note is that the 5DMIII is heavier than, say, a Micro Four Thirds camera like the GH4.
Factors to consider when choosing the best documentary film camera:
1. What kind of lens system does it have? Traditional fixed lens professional video cameras like the Sony PMW300K1 tend to be cheaper and can’t create visual imagery that’s quite as “cinematic” looking as interchangeable lens cameras with large sensors such as the Sony FS7, but on the other hand they’re also easier to operate than interchangeable lens cameras– especially if you’ll be shooting in fast moving “run and gun” situations as documentary filmmakers often are. A new class of hybrid video cameras like the Panasonic DVX 200 are starting to offer large lenses capable of shooting beauty footage as well as offering lots of run and gun friendly manual controls. Read our Panasonic DVX200 review for more on this.
2. How much does it cost? Documentary filmmakers are often on a budget, and a dollar spent in one place can mean that you won’t have money left in the budget to spend somewhere else. For some budget friendly options, check out our related article: What is the Best Cheap Documentary Camera for Filmmaking?
3. How much does this video camera weigh? How big is it? The form factor and weight of a video camera for documentary filmmaking may be a very important consideration, depending on the type of film you’re making. If you’re jetting off to go shoot in the Amazon rainforest and you need to carry 20 other pounds of gear on 5 mile hikes every day may make you decide that you need to get a camera that doesn’t weigh 10 pounds that you’ll need an additional 10 pounds of extra lenses with. Similarly, if you’re shooting an action sports documentary with a lot of handheld camera footage you might decide to get a camera with a shoulder mount form factor like the Sony FS7 or at least invest in a camera rig that will allow you to get steady shots even though you won’t have a tripod to always rely on.
4. What kind of batteries and memory cards does it use? This consideration is actually becoming less and less relevant as time goes on. Each of the cameras on this page shoot on relatively cheap media cards: cheap enough to buy plenty of large capacity memory cards so you never run out of media to record on while you’re out shooting. And similarly, any documentary filmmaker ought to carry extra batteries even to shoots that aren’t expected to last long, simply because video camera batteries are cheap these days and you never know when something amazing might happen to prolong your shoot (or when your first battery might unexpectedly die due to a faulty juice meter telling you it’s fully charged when it’s not).
5. How obtrusive/noticeable is this video camera? Depending on the kind of subject matter you’re shooting, you might want to have a camera that looks like a small DSLR still camera. This is rare but there are times at which having a video camera that doesn’t attract a bunch of attention is desirable. Of course, if you shoot with a DSLR type camera, you may also need a bunch of extra gear too, like a stabilization rig. On the other hand, you’ll also be able to shoot great still photos with it. Read our article for more on this: List: Top DSLRs for Documentary Filmmaking